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Becomes clear complete description of Deep Blue Sea below:
- Original Title : Deep Blue Sea
- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Action, Science Fiction, Thriller,
- Status of movie : Released
- Release date of movie : 1999-07-28
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.6
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,
- Actors of movie :Daniel Rey (Helicopter Pilot), Michael Rapaport (Tom "Scoggs" Scoggins), Erinn Bartlett (Girl #1), Saffron Burrows (Dr. Susan McCallister), Jacqueline McKenzie (Janice Higgins), Tajsha Thomas (Friend of Janice), Brent Roam (Helicopter Winch Operator), Stellan Skarsgård (Jim Whitlock), Samuel L. Jackson (Russell Franklin), Frank Welker (Parrot Noises (voice)), LL Cool J (Sherman 'Preacher' Dudley), Thomas Jane (Carter Blake), Eyal Podell (Boy #1), Aida Turturro (Brenda Kerns), Dan Thiel (Boy #2), Valente Rodriguez (Helicopter Co-Pilot), Sabrina Geerinckx (Girl #2), Cristos (Boat Captain)
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Deep Blue Sea is the very best movie excreted by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, with the help of a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best sound quality and finest starring actors.
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Set Decoration : Debra Echard, Supervising Sound Editor : J. Paul Huntsman, Casting : Christine Sheaks, Rigging Grip : Jonas Juhanson, Hairstylist : Robert L. Stevenson, Script Supervisor : Portia Tickell, Construction Foreman : William Apperson, Best Boy Electric : R. Gern Trowbridge, Art Department Coordinator : Beth Bajuk, Assistant Art Director : Jonathan McKinstry, Steadicam Operator : Mark Emery Moore, Executive Producer : Jonathan Schwartz, Color Timer : Dale E. Grahn, Animation : Bruce Pearson, Sound Recordist : Rick Hromadka, Visual Effects Editor : Mark Eggenweiler, Visual Effects Producer : Thomas Boland, Costume Design : Mark Bridges, Production Supervisor : Anna Roth, Construction Coordinator : Gary Deaton, Visual Effects Editor : Steve Shaw, Projection : Tom Ajar, Utility Stunts : Joey Box, Screenplay : Duncan Kennedy, Dialogue Editor : Patrick J. Foley, Digital Compositors : John Rauh, Visual Effects Editor : Lincoln Kupchak, Unit Manager : Rafael Cuervo, Costume Supervisor : James W. Tyson, Driver : Rick Kelleher, Makeup Department Head : Jeff Dawn, Lighting Technician : Bruce Sharp, Leadman : Russell R. Anderson, CG Supervisor : John E. Sasaki, Still Photographer : Merie Weismiller Wallace, Assistant Art Director : David Sandefur, Electrician : Matt Buchan, Standby Painter : Anthony Gaudio, Editor : Frank J. Urioste, Location Manager : Michael John Meehan, Sound Re-Recording Mixer : John T. Reitz, Property Master : Eric J. Bates, Additional Camera : Frederick Iannone, Storyboard : Gary Damian Thomas, ADR & Dubbing : Hugh Waddell, Camera Operator : Gregory J. Schmidt, Prosthetic Makeup Artist : Chad Atkinson, Assistant Director : Thomas J. Mack, CGI Supervisor : Serge Sretschinsky, Production Design : William Sandell, Visual Effects : Joshua I. Kolden, Stunt Coordinator : R.A. Rondell, Animation : Julie Nelson, Set Dressing Artist : Chris Adams, Script Supervisor : Kelly Moon, Visual Effects Producer : Heather Smith, Video Assist Operator : Jeff Burrage, Digital Effects Supervisor : Simon Giles, Executive In Charge Of Production : Mark Scoon, Transportation Coordinator : Russell McEntyre, Director : Renny Harlin, Assistant Art Director : Nick Navarro, Screenplay : Wayne Powers, Visual Effects Supervisor : Jamie Dixon, Supervising Art Director : Mark W. Mansbridge, Additional Music : Michael Jay, Stunts : Lesley Aletter, Camera Operator : Guillermo Rosas, Editor : Dallas Puett, Sound Effects Editor : Andrew Somers, Production Accountant : Armando Amador, Dialogue Editor : John F. Reynolds, Camera Operator : Leo J. Napolitano, Visual Effects Supervisor : Craig A. Mumma, Co-Producer : Rebecca Spikings, Sound Effects Editor : Adam Johnston, Music Editor : Dick Bernstein, Set Medic : Sarah Catizone, Property Master : Jerry Moss, Production Sound Mixer : Tim Cooney, Visual Effects Producer : Kristen Branan, Gaffer : Mick Morris, Associate Producer : Thomas J. Mack, Mechanical Designer : Larry Cheng, Camera Operator : Marc Spicer, Art Direction : Héctor Romero, Assistant Costume Designer : Karla Stevens Flanigan, Makeup Artist : Allan A. Apone, Post Production Supervisor : Ilyse A. Reutlinger, Transportation Captain : Hugo Chew, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Set Designer : Karl J. Martin, Original Music Composer : Trevor Rabin, Screenplay : Donna Powers, Visual Effects Coordinator : Jack Geist, Aerial Coordinator : David Paris, Sound Effects Editor : Jayme S. Parker, CG Supervisor : Douglas R. MacMillan, Production Manager : Anthony Franco, Visual Effects Supervisor : William Mesa, Key Hair Stylist : Peter Tothpal, Visual Effects Producer : Scott Dougherty, Executive Producer : Duncan Henderson, Grip : Gustavo Covarrubias, Set Costumer : Carrie Bauer, Assistant Art Director : Ligia Ornelas, Camera Operator : Phil Pastuhov, Music Editor : Will Kaplan, Production Office Assistant : Jason D. McGatlin, Producer : Tony Ludwig, Production Office Coordinator : Francis Meade Warner, Animation Supervisor : Ken Stranahan, Special Effects Supervisor : John Richardson, Visual Effects Editor : Kevin Clark, Boom Operator : Todd Bassman, Editor : Derek Brechin, Visual Effects Editor : Scott Balcerek, Unit Publicist : Peter J. Silbermann, Set Designer : Javier Nava, Special Effects Coordinator : Sergio Jara, Visual Effects Supervisor : Jerry Pooler, Visual Effects Supervisor : Jeffrey A. Okun, Foley : Kevin Bartnof, Producer : Alan Riche, Executive Producer : Bruce Berman, Set Production Assistant : Jose Jimenez, Additional Editing : Kevin Stitt, Foley : Catherine Harper, Second Unit Cinematographer : Gary Capo, Underwater Camera : Pete Romano, Producer : Akiva Goldsman, Assistant Sound Editor : Catherine Calleson, Supervising Art Director : Bruce Crone, First Assistant Camera : Frank Flick, Sculptor : Jim McPherson, Casting Associate : Cassandra Kulukundis, Set Designer : Bill Taliaferro, Director of Photography : Stephen F. Windon, Producer : Don MacBain, Supervising Sound Editor : Robb Wilson, Orchestrator : Tom Calderaro, Associate Producer : Patrick Lynn, Visual Effects Supervisor : Rebecca Marie, Production Design : Joseph Bennett, Unit Production Manager : Todd Arnow, Art Direction : Andrew Rothschild, Animation : Constance Bracewell, Production Illustrator : Harald Belker
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
Deep Blue Sea (1999) Watch Streaming
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